Wednesday, December 17, 2008

Xenophilia

Amitav Ghosh writes about his travels and days as an anthropologist in a village of Egypt, Lataifa. He writes of film songs, cows, and the non-aligned movement in his "Confessions of a Xenophile" of which some snippets are below. Also, his hour-long interview regarding his newest book, Sea of Poppies, here.

If I am to think of what drew me to Egypt in 1980, it was, at bottom, the very impulse that I have been describing here – a kind of xenophilia, a desire to reclaim the globe in my own fashion, a wish to eavesdrop on an ancient civilizational conversation. Admittedly, this impulse could have taken me to many other places, but the opportunity presented itself at a time when I was just becoming aware of the ties that had once linked Yemen and China, Indonesia and East Africa – and most significantly for me, India and the Middle East. As one of the centres of the world, Egypt has always had a special attraction for travelers and it seemed natural that this was where I would come.
We are at a very different moment in history now, when the words Non-Aligned seem somehow empty and discredited; today the movement is often dismissed not just as a political failure, but as a minor footnote to the great power rivalries of the Cold War. It is true, of course, that the movement had many shortcomings and met with many failures. Yet it is also worth remembering that the Non-Aligned Movement as such was merely the institutional aspect of something that was much broader, wider and more powerful: this, as I said before, was the post-war ethos of decolonization, which was a political impulse that had deep historical roots and powerful cultural resonances. In the field of culture, among other things, it represented an attempt to restore and recommence the exchanges and conversations that had been interrupted by the long centuries of European imperial dominance. It was, in this sense, the necessary and vital counterpart of the nationalist idiom of anti-colonial resistance. In the West, Third World nationalism is often presented as an ideology of xenophobia and parochialism. But the truth is that many of these movements of resistance tried very hard, within their limited means, to create an universalism of their own. Those of us who grew up in that period will recall how powerfully we were animated by an emotion that is rarely named: this is xenophilia, the love of the other, the affinity for strangers - a feeling that lives very deep in the human heart, but whose very existence is rarely acknowledged. People of my generation will recall the pride we once took in the trans-national friendships of such figures as Nehru, Nasser, Sukarno, Chou En Lai and others. Nor were friendships of this kind anything new. I have referred above to the cross-cultural conversations that were interrupted by imperialism. These interruptions were precisely that – temporary breakages – the conversations never really ceased. Even in the 19th century, the high noon of Empire, people from Africa, Asia and elsewhere, sought each other out, wrote letters to each other, and stayed in each other’s homes while traveling. Lately, a great number of memoirs and autobiographies have been published that attest to the depth and strength of these ties. It was no accident therefore that Mahatma Gandhi chose to stop in Egypt, in order to see Sa’ad Zaghloul before proceeding to the Round Table Conference in London. This was integral to the ethos of the time. Similarly, it is no accident that capitals like New Delhi, Abuja and Tunis have many roads that are named after leaders from other continents. Sometimes these names are unpronounceable to local tongues and then they cause annoyance or laughter, and invite dismissal as empty gestures. But the fact that such gestures are not without value becomes apparent when we reflect that we would search in vain for roads that are named in this fashion in such supposedly global cities as London, New York and Berlin. These gestures, in other words, may be imbued with both pomposity and pathos, but they are not empty: they represent a yearning to reclaim an interrupted cosmopolitanism.

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